Monday, 18 December 2017

Titles In Lana Del Rey's Videos

Current Initial Opening- Draft Two

Lana Del Rey's Ride Video

Since publishing my first draft, I have thought about adding a title to my video. I have considered using this editing technique partly to be representative of Lana's video styling and also to help create a differentiating factor between the start of the video and the end (as I have since decided a looping technique is an effective structure for my video).

Prominently Lana's videos do not use titles- the first shot fades in. However,  her music video Ride which is almost like a short film rather than a music video, does include a title. Titles give music videos a cinematic feel and avoids her song starting abruptly. I think its usage in my own music video will depend on having a complete video to look at to see if it will structurally benefit my video, and if so I will consider using a black background.

Also the text font is also another factor to take into consideration: currently I have a font similar to what is used on Lana's album covers, however I like the delicacy of the serif font. If I choose to use the serif font in my own video, I should consider incorporating it into the house style of the promotional products -her website and album cover, to make the style across my artists products cohesive.

Friday, 15 December 2017

Monday, 27 November 2017

Improvement: Additional Filming Timetable

Table 
I created a table to make the most use of my additional filming day (Saturday 2nd, Sunday 3rd). I have used the ideas used from my mood board, to help inspire my shots that will be used to fill the additional time. 

Comparative Mood board



Thursday, 23 November 2017

First Draft of Video Editing


I received feedback based on my first draft by my peers in my class today. I was credited for choosing a suitable actor to sing this song, and people liked my choice of mise-en-scene (costume's and props). My video was also described as 'professional' as my lip-syncing was described as 'spot on', and I had applied suitable video filters. However I was informed that at 2:44, my footage had a cut where the angle my artist was being viewed din't changed, making it confusing for my viewers. To improve my music video I will consider using a concept/filler clip so my footage doesn't cut to my artist again, or I will re-film these lyrics.

Monday, 6 November 2017

JONES

Great examples of digipaks Emily! I think you have analysed them well - think about what features you would use in your own digipak.

I like the different experimentation with the vintage shots and editing software. This will make your final product sophisticated and effective. I really like the shot of the roses as the vintage overlay doesn't take away from the brightness of the colour.

Have a think about which technique you prefer for your film and why? Does one have a particular advantage over the other? Personally I like the aged, vintage look of the first editing you did with the water. However the colour is much more vivid with the second effect. You could try replicating a shot with the alternative editing software to get a direct comparison.

Sunday, 5 November 2017

Editing Update


Since finishing filming, I have spent additional time investigating possible software and I have thought about the technical logistics to maximize the time I have to edit. One of the biggest editing challenges I have to face in this project is the montage-like vintage film shots intermitted between the modern day shots of my artist singing. Since my post 'experimenting with vintage film', I have discovered the editing platform Adobe Premiere Pro, and today have experimented with another technique to get a cropped vintage film effect.

Digipak analysis: Born To Die (The Paradise Edition)

Front cover
The front cover shows a medium closeup of Lana Del Rey, with a tropical swimming pool location visible behind her. She is positioned looking directly at the camera which represents her as being powerful and serious. Lana's usual styling conventions have been followed with her hair styled wavy, and with her being pictured in a signature nude lipstick and pout. A sans serif font has been used for the artists name and title of the album, this allows for easy reading, and is recognized as her branding- as the same font has been used on multiple album covers. The gold graduated font, has connotations of wealth, which builds relation to the album- with relationships with wealthy/ powerful men as a common theme in her songs. The album also has a 'Parental Advisory' sticker, used by the British recorded music Industry, to indicate audio recordings that have explicit language or inappropriate references.

Back
The back cover contrasts the front cover by being a lot more dull in colour. However Lana's vintage convention has been reinforced by the usage of an old delicate illustration, as the back cover image. This image has connotations of mystery, as it looks like it could have originated from a vintage-dark fairy tales book for children- like Grimm's fairy tales. A cursive font has been used for the titles, which gives an impression of sophistication. The production team have been credited and the barcode has been placed at the bottom.

Disc

The disc is black, with two roses positioned off center. The iconography of roses suggests a notion of love or passion, which has been contradicted by the colour being drained from them. This suggests an idea of a 'tainted love', which is the subject of the relationships described in her songs.

Lyric Booklet
The lyric booklet solely displays the lyrics of the song. The same sans serif font has been used for the titles of the songs, with a lighter-simpler font used for the actual lyrics. The lyric book follows the same colour theme with black text and 'gold flecks' dispersed over the pages.

Digipak analysis: 1989 - Taylor Swift

Cover
The front cover of Taylor's album 1989, is a cut-off  Polaroid picture of the artist. Polaroid pictures are an example of an old technology- as they were used prior to digital photography. This gives the album a 'vintage feel', which is particularly clever because it comes at a time where there has been a resurgence of interest in old technology: Vinyl and Record players. The cover is unconventional in that Taylor doesn't fully feature on it- this is more likely to be seen in the indie genre of music. However, Taylor's signature red lipstick - which are even referenced in her songs 'Style' and 'Wildest dreams', can be seen which makes her recognizable.

Both her initials and the album title look like they have been drawn in by pen, making the album feel personal. Furthermore the date, 1989, was chosen because it was her year of birth. As an audience we are positioned to like her, as Taylor is presented an an authentic person.

Back Cover
The back of the digipak shows continuity by using a Polaroid picture of Taylor's face, which links to the image on the front cover. The tracks, barcode, and record company's logo are also displayed on the back. The logo for 'Big Machine Records' has also been stylized into a doodled version, which builds on to the handwritten theme. The numbering for the songs also follows this theme by using the same marker pen writing style. A typewriter font has been used for the names- which further the semantic field of old technology.

Disc
Following the typical conventions of a digipak, the CD follows the same theme as both the front cover and back cover. Taylor Swift does not appear on the disc itself, however the same design on her jumper is shown on the disc.
Lyric booklet
Inside the album there is a book with the song lyrics written in it, the book also features more Polaroid pictures - all featuring Taylor.

Thursday, 2 November 2017

Textual Analysis of band website

Made with Padlet

Click in far right corner for expanded view

Monday, 16 October 2017

Filming the second verse

Yesterday I went to the woods with my main actor, to film the second verse of my song. I experimented with using a tripod to pan onto my subject singing, in hope of adding visual interest and reinforcing the dark-mellow nature of the song through the use of a fluid-slow movement.

 I also experimented with using a low angle shot, to capture my singer standing alone in the woods. I choose this to help represent the theme of loneliness,  as I think her being the only subject in the shot represents this well.

Environment: I underestimated the amount of people that would use the woods, and as a result had to use both of my nearby woods as filming locations. When I come to edit my video I will try to put concept based shots in between the footage I took, so the different locations appear as though they were taken in the same place.

Tuesday, 10 October 2017

Plumtree

Emily, I really like the sepia-style shots at the start and end of your video clip with the lines across the screen adding to the vintage feel you are after. The section in the middle of the trees looks too up to date and doesn't fit in so well. It is really nice to see some of your ideas coming together though!

Friday, 6 October 2017

Experimenting with Vintage looking Film



This sample footage followed the instructions I found on the 'Gadget' website, which I listed in a vintage film blog post. The footage was filmed with on my Cannon 700D and edited in iMovie. I choose to film shots that were relevant to my storyboard; the water shot that I will use for the beginning of my video. I liked the vintage filter which I applied to the water shot, because it dulled the colours, which will help to establish the mood of my music video. I also experimented with the saturation tool, in the close up shoot of a tree, however I am hesitant to use it in my video because I think its lacks relation to the filtered-vintage video shots.




Monday, 2 October 2017

Lyric analysis

Storyboard

Storyboard

Monday, 25 September 2017

Filming the Bridge

On Sunday the 24th of September I filmed the bridge of the song. This entailed creating my own backdrop out of card, in a small corner of my home - my setup is shown below:




The bridge was filmed in one continuous close up shot. I choose this angle to replicate Lana's conventions in her video- as it creates intimacy through my actress actively expressing to the viewer, how passionate she is about the relationship. This angle was also good for capturing detail: the facial expressions and lyric reinforcing hand gestures made by the artist. Loneliness is also a key theme to the video, which I think has been reinforced through the viewer only being able to see the artist with no understanding of where she is.

Friday, 22 September 2017

Shooting Schedule


Thursday, 21 September 2017

Equipment List

Cannon 700D Digital Camera-  My digital camera is prominently what will be used for recording this video. I choose this because of my own familiarity with the camera, and its ability to film 1080p video, which will give me professional looking results. It is also equipped with a microphone, which will film the video sounds, but all sound will be removed in the editing process when I overlay the video with the song. This camera also records the footage onto a SD card, which will make transferring the files on to a computer easy.

Iphone 6- Additionally, I will be using the vintage camera app on my iPhone, to shot the vintage footage for my music video. This piece of equipment will also be used to play the song, so that my actor can lip sync to the song in time.

Tripod- The tripod will be used in conjunction with my cannon camera, to get steadily shot videos. However I will be experimenting with using a hand held camera technique, in some parts of the video. As it is evident from looking at the house style of 'Video Games' and 'National Anthem', Lana favors homemade-vintage looking videos. I also think it would help to build relation between the vintage film and shots filmed on my camera.

Apple Mac computer- A mac computer will be used to import all the footage off my camera. The computer is also equipped with 'Final Cut Pro', an editing software that will be used to edit my raw footage into a music video. I may also consider using 'iMovie', as I might consider using that software to make the vintage film.

Other:
Card- Certain sections of the video will feature a black backdrop which I will be making myself out of black card.

Wednesday, 20 September 2017

Codes and Conventions of Lana Del Rey

Following the guidance of my teacher, I looked into the codes and conventions Lana's music videos follow, and additionally I analysed the technical aspect to her videos.

Video Games 
Originally Lana's video were very concept based. Her budget was small- and she edited the footage together herself. The music video features her singing and lots of vintage film included- establishing shots, animation, and lots of shots of people- mostly being mid shots.The length of shot ranges from a quick 1 second glimpse to 3/4 seconds for longer shots. Unusually dialogue of a drunk movie star can be heard when she sings 'He holds me in his big arms, drunk and I am seeing stars', which although links to the lyrics is usual to see random footage layered over a song. The location I assume is New York, also features glimpses of the Hollywood sign in Los Angeles, and vintage suburbial shots.


Born to Die
Now as an established star, her larger budget can be seen in the production of Lana's song 'Born to Die'. This is shown in the editing in particular is a lot slicker, and even the use of CGI- the tigers who join her on her throne. Unlike video games, there is also a diverse range of shots used: establishing, wide shots, over the shoulder, close ups, mid shots. The movement of the camera is also a lot more fluid, for example a close up pans out to a long shot at the end. Born to Die also follows a narrative, so we follow Lana through a variety of settings. Overall, this video shows a massive development of Lana's house style- the dark imagery and narrative we see is fitting to the artists voice and styling.

Tuesday, 19 September 2017

Plumtree

Emily, it might help you if you used some screen shots of other Lana del Ray videos to help you show her 'house style' and how you are looking to conform to these codes and conventions in your own video. Add some analysis about shot types, length of shot, locations etc. as this will also help you to justify your own choices for your video.

Monday, 18 September 2017

Options for vintage- looking filming

In this blog post I will be looking at options available for creating vintage looking film. After watching a series of Lana's music videos, it became apparent Lana enjoys featuring old film in her videos, to support her vintage styling options. Her first music video, Video Games, was edited by herself and had a low budget. It featured historical old film intermissions, and clips of vintage Disney, giving the video a 'conceptual' feel. As her circumstances are very similiar to that of mine, doing this project, I looked into my available options for using old film.

Using an app
Lana is consistent in styling across media platforms, her Instagram posts often feature old looking videos - of her lip syncing. After some research, I discovered a 'Sweet' article, that informed me Lana uses the app '8mm Vintage Camera' to film her videos:

A screenshot from the
Snapchat story article
The app itself is very professional -it was used in the Oscar winning film "Searching for Sugar man". It allows 4K HD recording and has a range of effects that can be applied to the footage.

If I used this option, I would film a variety of subjects - which would be inspired by Lana's, and use them between the longer lip syncing shots.









Applying a vintage filter when editing
An alternate option is to look at filming solely on my camera, and applying features of a editing suite  onto my footage. I discovered a step by step tutorial for making vintage looking film on iMovie, by applying multiple effects and adding filters. I noted the key points below:

  • The Aged Film effect can be applied to the footage via the clip inspector interface
  • Vintage film cameras were hand cranked, which caused the film to play back faster. This effect can be replicated by typing 120% into the inspectors speed box
  • The colour tones can also be retouched. For washed out shadows adjust the contrast to -44%, for faded colours drop the saturation down to 79%
  • Lastly, the edges of the video can be softened by applying the Romantic effect in the inspector. There is now two effects layered onto the footage. 

Saturday, 9 September 2017

Test of locations - sample photographs

Here is a list of locations that will be used in shooting the video

1) Woods: 'The Devils Highway', and the woods opposite Bracknell road





















I choose my local wood to film because its close to my home- easy to carry over my equipment- and apart from a few dog walkers is a fairly interrupted location. I liked this location because there was a variety of different levels of light, which can be manipulated in a range of different shots, like the sun shinning through the trees. There is also an autumnal feel to this location which will help to reinforce the theme of ageing: through capturing the once green coloured leaves, turn orange and fall to the ground.

2) Home: My homemade studio




















This setting will be used for the majority of my artists lip syncing shots. The benefits of making a studio are cutting the costs of hiring a professional one, and the convenience of filming at home. I choose to cover a window because there is a lot of natural light coming from the window below, giving me a well lit shot, that I can later filter in the editing stages to fit the mood of my piece.

Friday, 8 September 2017

Clothing

In this blog post I will be looking at the styling options for my music video

Outfit Number One

This top is a handmade embroidered mesh top, which would be styled with a black skirt that would be unseen in my close ups / mid shots. My chosen song, Young and beautiful, has a theme of loneliness which I feel like is well represented in dark clothing. The sensitive and slow nature of the song, means that I will be using lots of intimate- close angles, which I think will nicely showcase the embroidered detail. 



Outfit Number Two
Outfit number two is a gold and black play suit- I intend for it to be worn solely for the bridge of the song. The color gold has connotations of high status and glamour. The song Young and beautiful was originally taken from Baz Luhrmann's 'The great Gatsby', a film about a rich man who throws parties solely to reconnect with his lover. I have taken this origin into consideration, by styling clothing that are in keeping with a glamorous narrative. 


Outfit Number Three

The artist herself inspired my third styling option. I followed her vintage styling conventions, by choosing a floral wide cuffed blouse, complete with a delicate frill. I thought this would be a suitable styling option because it is in keeping of my theme of dark clothing, whilst still channeling Lana through the old fashioned pattern on the blouse.   






Casting

Georgia as Lana Del Rey

I have chosen to cast my sister as the artist in my video. Choosing my sister means she will be a reliable for filming times, and the times of the filming can be flexible. I am confident that Georgia can successfully lip sync and act, as she has a sustained interest in drama, and will feel comfortable being instructed by someone she knows.

Thursday, 7 September 2017

Letter to Copy Right Holder

My Email

Response

Wednesday, 6 September 2017

Andrew Goodwin- Music Video Theory



How this theory relates to my own work:
I will be applying various conventions in Andrew Goodwin's 'music video theory' to my own work.

Laura Mulvey - Music Video Theory




How this theory links to my work:
As a female director, I am committed to challenge the features of 'The Male Gaze'.  I will only be using one female subject throughout filming, which in turn places a woman in to the 'dominant role'. Lana's videos also don't follow a notion of looking - camera angles are not used for male enjoyment, so I will not be tragetting that specific audience in my own music video.

Tuesday, 5 September 2017

Music Video Conventions

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Saturday, 2 September 2017

Types of Music Video


Friday, 1 September 2017

Audience Questionnaire & Analysis of Results

I made an online survey which I shared on various personal social media accounts, to help decide on a plan for creating my music video. I will be analyzing the results in this blog post.


As the opening question to my survey, I asked the gender of the person who was answering. The results showed that 9 females and 6 males answered my questionnaire, which will benefit me in knowing what music video characteristics appeal to each gender. These preferences can then be replicated in my video, so my product can be fitting to my target audience.

 Continuing to add context to my results, I asked the age of the participant. The most people who answered where aged '17 and younger', with the second most popular category being '50 and older'. There is a large range in the data, which will be useful in showing how age as a variable, effects your taste in music to how you access the content.

For question 3, I asked what genre of music people enjoy listening to. Pop music was the most popular, followed by Rock, then  Rap and Hip-hop - which were equally enjoyed. My data shows that pop music and rock music is enjoyed by a diverse group of participants, in comparison to rap and hip-hop which were solely enjoyed by younger participants.

The next question I asked people how often they watch music videos. 6 people answered rarely, 3 people answered daily, and the rest fine-tuned there watching habits in to smaller sections. Although 'daily' and the smaller subsections amounts to more than rarely, this data shows there is a lot of people who do not watch music videos often. I think this is related to the popularity of streaming, which is led to the demise of watching music videos on MTV etc.

For question 5 I asked an open question about what was the last music video my respondent watched, and then asked if they enjoyed it. Due to the open nature of this question, my results were extremely varied- from a live performance by Andrew Rieu to Katy Perry's chained to the rhythm. When I closely analysed the comments, it was apparent that my younger participants watched music videos of current chart songs - regardless of if had an interest in more unusual genres. There wasn't really a data pattern to learn from my older respondents- they generally searched up obscure, old songs.

For question 6, I asked people how they access music videos. YouTube was by the far the most used way to access this content. I think the factors of it being free and convenient, makes it an appealing way to view music videos.

I continued by asking what type of music video people enjoy watching. Narrative was the most popular, but live performances were also well received. Concept and animated were less favoured, which suggests people enjoy connecting to the artist through watching them tell a story / perform.

I then asked my participants to rank the features of a music video to decipher what variables were most important in making a successful music video. These results show that there isn't one overbearing feature that makes a successful video- however having strong actors and relevance to lyrics were seen as important.

The last two questions were asked in aiding the direction I want to take my project in - this question concerned the setting of my music video. The woods were the most popular answer, which suggests people enjoy a calm, natural feel to a sensitive love song. The beach and a city setting also settings to consider- although they are vastly different from each other. I will be choosing the setting that I think is most fitting to the lyrics and feel of the video.

The last question I asked was about the colour scheme / theme of the video. These results were indecisive in what colours should be used, suggesting there isn't a well known colour / theme associated with Indie. This suggests I should look at the artists work, to help decide on what will be appropriate for my own work. 




Sunday, 9 July 2017

Thursday, 6 July 2017